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home·artworks·En pleno sol
En pleno sol by Benito Quinquela Martin

plate no. 3243

En pleno sol

Benito Quinquela Martin, 1931

oilImpressionismgenre paintingboatsfigureswaterbuildingsindustryharbor
experienced study

Recreating this painting will help students develop skills in capturing movement and atmosphere with loose brushstrokes and understanding how to create depth through color and value variations. It also provides practice in simplifying complex scenes into essential shapes and forms.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
4
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and composition, focusing on the placement of the boats, figures, and buildings.

  2. step 02

    Establish the basic color blocks for the sky, water, and land using thin washes.

  3. step 03

    Begin building up layers of color, focusing on the warm tones of the boats and buildings and the cooler tones of the water and sky.

  4. step 04

    Use thicker paint and bolder brushstrokes to define the details of the figures and boats.

  5. step 05

    Pay attention to the direction of light and shadow to create depth and form.

  6. step 06

    Add highlights and reflections to the water to create a sense of movement and atmosphere.

  7. step 07

    Refine the details and adjust the colors as needed to achieve the desired effect.

  8. step 08

    Add final touches and details.

color palette

primary · yellow ochre · burnt sienna · ultramarine blue

secondary · titanium white · cadmium red · viridian green

Mix various shades of brown and ochre by combining burnt sienna, yellow ochre, and ultramarine blue. Use white to lighten the colors and create highlights. Mix greens by combining yellow ochre and ultramarine blue.

techniques

  • ·broken color
  • ·impasto
  • ·scumbling
  • ·alla prima
  • ·color layering

common pitfalls

  • →Overworking the details and losing the spontaneity of the brushstrokes.
  • →Using too much detail in the background, which can flatten the image.
  • →Failing to capture the movement and energy of the scene.
  • →Not paying attention to the direction of light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-grain canvas to allow for texture. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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