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home·artworks·Empress Elisabeth of Austria
Empress Elisabeth of Austria by Philip de Laszlo

plate no. 3852

Empress Elisabeth of Austria

Philip de Laszlo, 1898

oilImpressionismportraitportraitfigurecrowndressjewelryfemale
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as understanding atmospheric perspective and soft blending techniques.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic proportions and pose of the figure, paying attention to the placement of the head, shoulders, and crown.

  2. step 02

    Establish the background with a dark, muted tone, creating a sense of depth and atmosphere.

  3. step 03

    Block in the main shapes of the figure, including the dress, skin tones, and hair, using a limited palette of colors.

  4. step 04

    Begin to refine the skin tones, using subtle variations in color and value to create a sense of form and volume.

  5. step 05

    Add details to the face, including the eyes, nose, and mouth, paying close attention to the likeness of the subject.

  6. step 06

    Paint the dress and jewelry, using highlights and shadows to create a sense of texture and dimension.

  7. step 07

    Add the crown, carefully rendering the details and highlights to make it stand out.

  8. step 08

    Refine the overall composition, adjusting the values and colors as needed to create a cohesive and harmonious image.

color palette

primary · ivory black · raw umber · titanium white · cadmium red light

secondary · yellow ochre · ultramarine blue

Mix skin tones by blending white, red, yellow ochre, and a touch of umber. Use ultramarine blue and ivory black to create the dark background and shadows.

techniques

  • ·portraiture
  • ·blending
  • ·scumbling
  • ·glazing
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the skin tones and losing the sense of freshness.
  • →Failing to capture the likeness of the subject.
  • →Making the background too bright or distracting.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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