apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Emperor Frederick III of Germany, King of Prussia with his wife, Empress Victoria, and their children, Prince William and Princess Charlotte
Emperor Frederick III of Germany, King of Prussia with his wife, Empress Victoria, and their children, Prince William and Princess Charlotte by Franz Xaver Winterhalter

plate no. 4662

Emperor Frederick III of Germany, King of Prussia with his wife, Empress Victoria, and their children, Prince William and Princess Charlotte

Franz Xaver Winterhalter, 1862

oilRomanticismportraitfiguresportraitcolumnsskyclothingfamily
experienced study

Recreating this painting will help students develop skills in portraiture, particularly capturing likeness and rendering complex fabrics and textures. It also provides practice in creating depth and atmospheric perspective.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the placement and proportions of the figures and architectural elements.

  2. step 02

    Establish the background with broad washes of color, focusing on the sky and the columns.

  3. step 03

    Block in the main shapes of the figures, defining the light and shadow areas.

  4. step 04

    Begin to refine the details of the faces, focusing on capturing the likeness of each individual.

  5. step 05

    Work on the clothing, paying close attention to the folds, textures, and embellishments.

  6. step 06

    Add details to the background, such as the foliage and architectural details.

  7. step 07

    Refine the overall composition, adjusting the values and colors as needed.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ivory black · titanium white · cadmium yellow · alizarin crimson

secondary · ultramarine blue · burnt umber · yellow ochre

Achieve skin tones by mixing titanium white, alizarin crimson, cadmium yellow, and a touch of burnt umber. Create the fabric colors by mixing the primary colors with white and small amounts of secondary colors for subtle variations.

techniques

  • ·portraiture
  • ·fabric rendering
  • ·glazing
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Incorrect proportions of figures
  • →Overworking details too early
  • →Muddying colors by over-mixing
  • →Failing to capture likeness
  • →Ignoring the importance of light and shadow

materials

surface · stretched canvas

required

  • ·Stretched canvas 24x36
  • ·Oil paints (ivory black, titanium white, cadmium yellow, alizarin crimson, ultramarine blue, burnt umber, yellow ochre)
  • ·Assorted brushes (round, flat, filbert)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·Retouch varnish
  • ·Medium gloss
  • ·Easel

Use high-quality oil paints for best results. Consider using a medium to thin the paints and improve flow.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke