apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Emperor Francis I of Austria (1768-1835) wearing the Austrians imperial robes
Emperor Francis I of Austria (1768-1835) wearing the Austrians imperial robes by Friedrich von Amerling

plate no. 0838

Emperor Francis I of Austria (1768-1835) wearing the Austrians imperial robes

Friedrich von Amerling, 1832

oil, canvasRomanticismportraitportraitfigurerobescrownchaircurtain
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions and rendering of light and shadow on the face and drapery. It also provides practice in depicting complex textures and patterns, such as those found in the robes and crown.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch outlining the basic composition and proportions of the figure and background.

  2. step 02

    Block in the main areas of color, focusing on establishing the overall value structure.

  3. step 03

    Refine the facial features, paying close attention to the subtle variations in tone and color.

  4. step 04

    Develop the drapery, using layers of glazes to create depth and richness.

  5. step 05

    Add details to the crown, scepter, and other accessories, using small brushes and precise strokes.

  6. step 06

    Work on the background, ensuring it complements the figure without distracting from it.

  7. step 07

    Add highlights and shadows to enhance the three-dimensionality of the forms.

  8. step 08

    Make final adjustments to the overall composition and color balance.

color palette

primary · titanium white · cadmium red · yellow ochre · ivory black

secondary · ultramarine blue · burnt umber · gold

Mix various shades of skin tones using titanium white, cadmium red, yellow ochre, and a touch of ivory black. Achieve the gold tones by mixing yellow ochre with burnt umber and a touch of cadmium red. Create the deep reds of the curtain by layering cadmium red with burnt umber.

techniques

  • ·Portraiture
  • ·Glazing
  • ·Chiaroscuro
  • ·Rendering of fabrics
  • ·Foreshortening

common pitfalls

  • →Incorrect proportions of the figure.
  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Inaccurate rendering of skin tones.

materials

surface · stretched canvas

required

  • ·Stretched canvas (24x36 inches)
  • ·Oil paints (titanium white, cadmium red, yellow ochre, ivory black, ultramarine blue, burnt umber)
  • ·Assorted brushes (round, flat, filbert)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits
  • ·Linseed oil
  • ·Easel

optional

  • ·Medium gloss
  • ·Retouch varnish
  • ·Color charts

Use high-quality oil paints for best results. Consider using a pre-primed canvas to save time.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke