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home·artworks·Emma Hart (1765–1815), as Miranda
Emma Hart (1765–1815), as Miranda by George Romney

plate no. 2061

Emma Hart (1765–1815), as Miranda

George Romney, 1786

oilRomanticismportraitportraitfigurewomanhairfaceclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing subtle skin tones and rendering soft, flowing hair. It also provides practice in creating a dramatic mood through the use of chiaroscuro.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and hair.

  2. step 02

    Establish the darkest areas of the background and hair with a dark brown or black.

  3. step 03

    Block in the general skin tones using a mix of white, red, and yellow ochre.

  4. step 04

    Begin refining the facial features, paying close attention to the angles and proportions.

  5. step 05

    Develop the hair, using loose, flowing brushstrokes to suggest texture and movement.

  6. step 06

    Add highlights to the face, hair, and clothing to create depth and dimension.

  7. step 07

    Refine the edges and details, softening some areas and sharpening others.

  8. step 08

    Add final glazes to unify the painting and enhance the colors.

color palette

primary · titanium white · burnt umber · yellow ochre · cadmium red

secondary · ivory black · ultramarine blue

Mix skin tones using white, red, and yellow ochre, adjusting the proportions to achieve the desired warmth and value. Create the dark background and hair by mixing burnt umber and black. Use small amounts of blue to cool down shadows.

techniques

  • ·portraiture
  • ·chiaroscuro
  • ·blending
  • ·glazing
  • ·scumbling

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the details and losing the loose, painterly feel.
  • →Making the skin tones too flat or lifeless.
  • →Failing to create enough contrast between the light and dark areas.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·cadmium red oil paint
  • ·round brushes (various sizes)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·ivory black oil paint
  • ·ultramarine blue oil paint

Use a smooth canvas for best results. Consider using a toned ground to help establish the values.

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oil painting for beginners →how to learn by studying the masters →
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