
plate no. 5112
Sydney Laurence, 1915
Recreating this painting will help students develop skills in color mixing to achieve atmospheric perspective and learn to suggest detail with loose brushwork.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the horizon line and the placement of the buildings and river.
Block in the sky with broad strokes, blending the purples, pinks, and yellows.
Establish the water and land masses with their respective base colors, paying attention to the reflected light.
Add the buildings, using a darker value for the shadows and a lighter value for the illuminated areas.
Define the river's path with varying shades of pink and purple, suggesting reflections.
Develop the foreground foliage with darker greens and browns, using broken brushstrokes to create texture.
Refine the details of the sky and water, softening edges and adding subtle color variations.
Add final highlights to the buildings and foliage to create depth and dimension.
color palette
primary · ultramarine blue · alizarin crimson · yellow ochre · titanium white
secondary · burnt umber · sap green · cadmium yellow light
Mix purples by combining ultramarine blue and alizarin crimson, and achieve the pinks by adding white to the purple. Use yellow ochre and burnt umber to create the earth tones.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-tooth canvas for better texture. Consider using a limited palette to simplify color mixing.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Romantic Landscape
Karl Lessing

Self-portrait with his brother Francesco
Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie
Léon Cogniet

Duke of Alba
Francisco Goya

Blick Aus Dem Wald Ins Tal
Andreas Achenbach

Young Girl Fixing Her Hair
Sophie Gengembre Anderson

The Plough Inn
William Shayer

Hudson River Landscape
Johann Hermann Carmiencke