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home·artworks·Elsie Palmer
Elsie Palmer by John Singer Sargent

plate no. 3164

Elsie Palmer

John Singer Sargent, 1890

oil, canvasImpressionismportraitportraitfigureflowersgardendressfoliage
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and subtle skin tones, as well as creating depth and texture with visible brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure and background.

  2. step 02

    Establish the main areas of light and shadow with thin washes of color.

  3. step 03

    Begin building up the skin tones with layers of subtle color variations.

  4. step 04

    Define the features of the face, paying attention to the direction of light.

  5. step 05

    Add details to the dress and hair, using visible brushstrokes to create texture.

  6. step 06

    Paint the background foliage and flowers, focusing on capturing the overall impression rather than precise details.

  7. step 07

    Refine the edges and details, adjusting the values and colors as needed.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and realism.

color palette

primary · titanium white · yellow ochre · burnt sienna · alizarin crimson

secondary · viridian green · ultramarine blue · ivory black

Achieve skin tones by mixing white, yellow ochre, and small amounts of red and brown. Use green and blue to create the cool tones in the shadows. Mix red and black for the dark flowers.

techniques

  • ·broken color
  • ·alla prima
  • ·scumbling
  • ·portraiture
  • ·color mixing

common pitfalls

  • →Overworking the details and losing the freshness of the brushstrokes.
  • →Failing to capture the subtle variations in skin tone.
  • →Creating muddy colors by overmixing.
  • →Ignoring the overall composition and focusing too much on individual elements.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium (e.g., Liquin)
  • ·varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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