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home·artworks·Ellen Bennett
Ellen Bennett by Edward R. Taylor

plate no. 9659

Ellen Bennett

Edward R. Taylor, 1900

oilRomanticismportraitportraitfiguregirlinteriorchairbedroom
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing subtle skin tones and rendering realistic fabric folds. It also provides practice in creating a sense of depth and atmosphere through soft lighting and muted colors.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the proportions of the figure and the placement of key elements.

  2. step 02

    Establish the background with a thin wash of muted green and brown tones.

  3. step 03

    Block in the main shapes of the figure, paying attention to the overall values and color temperature.

  4. step 04

    Begin to refine the skin tones, using a limited palette of earth tones, white, and a touch of red.

  5. step 05

    Develop the details of the dress, focusing on the folds and shadows.

  6. step 06

    Add details to the hair, using small, controlled brushstrokes to create texture.

  7. step 07

    Refine the background elements, such as the bed, chair, and wall hangings.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · raw umber · titanium white · burnt sienna

secondary · ultramarine blue · yellow ochre · alizarin crimson

Achieve skin tones by mixing white with small amounts of burnt sienna, raw umber, and alizarin crimson. Use ultramarine blue and burnt sienna to create muted grays for the dress and background.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·blending
  • ·underpainting

common pitfalls

  • →Overworking the skin tones and creating a muddy effect.
  • →Failing to capture the subtle nuances of light and shadow.
  • →Getting the proportions of the figure wrong.
  • →Ignoring the importance of the background in creating atmosphere.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·alizarin crimson oil paint
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Allow each layer of paint to dry before applying the next.

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