
plate no. 9200
Thomas Sully, 1814
Recreating this painting will help students develop skills in portraiture, including accurate proportions, subtle color mixing for skin tones, and rendering soft, diffused lighting. Students will also learn about creating depth through layering and blending.
technical profile
approach — 8 steps
Sketch the basic shapes and proportions of the figure, column, and background.
Establish the main light and shadow areas with a thin wash of color.
Begin layering in skin tones, focusing on subtle color variations and smooth blending.
Paint the clothing, paying attention to the folds and drapery.
Develop the background, creating depth with darker values in the distance.
Refine the facial features, adding details to the eyes, nose, and mouth.
Add highlights and shadows to the hair, creating texture and dimension.
Make final adjustments to the overall composition, ensuring a harmonious balance of colors and values.
color palette
primary · titanium white · cadmium red · ultramarine blue · yellow ochre
secondary · burnt umber · ivory black · raw sienna
Achieve skin tones by mixing white, red, yellow ochre, and a touch of blue. Use burnt umber and black to create shadows. Mix blue and white for the clothing.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A smooth canvas surface will aid in blending.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Romantic Landscape
Karl Lessing

Self-portrait with his brother Francesco
Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie
Léon Cogniet

Duke of Alba
Francisco Goya

Blick Aus Dem Wald Ins Tal
Andreas Achenbach

Young Girl Fixing Her Hair
Sophie Gengembre Anderson

The Plough Inn
William Shayer

Hudson River Landscape
Johann Hermann Carmiencke