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home·artworks·Elizabeth Wignell
Elizabeth Wignell by Thomas Sully

plate no. 9200

Elizabeth Wignell

Thomas Sully, 1814

oilRomanticismportraitportraitchildcolumnfigureclothinghair
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, subtle color mixing for skin tones, and rendering soft, diffused lighting. Students will also learn about creating depth through layering and blending.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, column, and background.

  2. step 02

    Establish the main light and shadow areas with a thin wash of color.

  3. step 03

    Begin layering in skin tones, focusing on subtle color variations and smooth blending.

  4. step 04

    Paint the clothing, paying attention to the folds and drapery.

  5. step 05

    Develop the background, creating depth with darker values in the distance.

  6. step 06

    Refine the facial features, adding details to the eyes, nose, and mouth.

  7. step 07

    Add highlights and shadows to the hair, creating texture and dimension.

  8. step 08

    Make final adjustments to the overall composition, ensuring a harmonious balance of colors and values.

color palette

primary · titanium white · cadmium red · ultramarine blue · yellow ochre

secondary · burnt umber · ivory black · raw sienna

Achieve skin tones by mixing white, red, yellow ochre, and a touch of blue. Use burnt umber and black to create shadows. Mix blue and white for the clothing.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·layering
  • ·color mixing

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Failing to establish accurate proportions in the initial sketch.
  • →Using too much paint, leading to a thick, overworked surface.
  • →Ignoring subtle color variations in the skin tones.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. A smooth canvas surface will aid in blending.

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oil painting for beginners →how to learn by studying the masters →
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