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home·artworks·Elizabeth Herbert (née Spencer), Countess of Pembroke
Elizabeth Herbert (née Spencer), Countess of Pembroke by Charles Turner

plate no. 9821

Elizabeth Herbert (née Spencer), Countess of Pembroke

Charles Turner, 1824

oilRomanticismportraitportraitfiguredresschairlacehand
some experience helpful

Recreating this portrait will help students develop skills in tonal value painting and rendering fine details like lace and fabric folds. It also provides practice in capturing a likeness and creating a sense of depth through subtle shading.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure and chair.

  2. step 02

    Establish the overall value range by blocking in the darkest and lightest areas with diluted paint.

  3. step 03

    Gradually build up the mid-tones, paying attention to the subtle shifts in value that define the form.

  4. step 04

    Focus on rendering the facial features, using delicate brushstrokes to capture the likeness.

  5. step 05

    Add details to the dress, lace, and jewelry, using a fine brush and careful observation.

  6. step 06

    Refine the background and chair, ensuring they complement the figure without distracting from it.

  7. step 07

    Add final highlights and shadows to enhance the sense of depth and realism.

  8. step 08

    Allow to dry and add a varnish layer.

color palette

primary · ivory black · titanium white · raw umber

secondary · payne's gray · yellow ochre

Achieve the various shades of gray by mixing ivory black and titanium white in different proportions. Add small amounts of raw umber or payne's gray to create warmer or cooler tones.

techniques

  • ·tonal value painting
  • ·blending
  • ·scumbling
  • ·glazing
  • ·rendering

common pitfalls

  • →Overworking the details too early in the process.
  • →Creating harsh lines instead of smooth transitions.
  • →Failing to accurately capture the proportions of the figure.
  • →Ignoring the subtle shifts in value that define the form.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·round brushes (sizes 0, 2, 4)
  • ·flat brush (size 6)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. A smooth canvas surface will make blending easier.

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