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home·artworks·Elizabeth and Carmen Pinschof
Elizabeth and Carmen Pinschof by Tom Roberts

plate no. 1912

Elizabeth and Carmen Pinschof

Tom Roberts, 1900

oilImpressionismportraitportraitfigureshairclothingfaceswomen
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and creating soft, diffused lighting. It also provides practice in blending and layering to achieve subtle tonal variations.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figures, paying attention to their placement and relationship to each other.

  2. step 02

    Establish the background with broad, blended strokes of dark browns and reds.

  3. step 03

    Block in the main areas of color for the skin tones, hair, and clothing, using a limited palette.

  4. step 04

    Begin to refine the facial features, focusing on the eyes, nose, and mouth. Use subtle variations in color and value to create form.

  5. step 05

    Develop the hair, using loose, flowing brushstrokes to capture its texture and movement.

  6. step 06

    Add highlights and shadows to the clothing to create depth and dimension.

  7. step 07

    Refine the edges and details, paying attention to the overall harmony of the painting.

  8. step 08

    Add final glazes to unify the colors and create a sense of atmosphere.

color palette

primary · burnt umber · raw sienna · titanium white · cadmium red light

secondary · ultramarine blue · yellow ochre

Mix skin tones using white, red, sienna, and a touch of blue. Achieve hair colors by blending umber, sienna, and red. Use white to lighten and create highlights.

techniques

  • ·blending
  • ·layering
  • ·scumbling
  • ·glazing
  • ·portraiture

common pitfalls

  • →Overworking the details and losing the overall impressionistic effect.
  • →Failing to capture the likeness of the figures.
  • →Using colors that are too saturated or intense.
  • →Ignoring the importance of value contrast in creating form.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags or paper towels

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a toned canvas to speed up the painting process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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