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home·artworks·Elizabeth and Anna
Elizabeth and Anna by Frank W. Benson

plate no. 6983

Elizabeth and Anna

Frank W. Benson, 1909

oilImpressionismgenre paintingfigureslandscapegrassskydresseshill
some experience helpful

Recreating this painting will help students understand impressionistic color mixing and how to create form using broken color. It also provides practice in capturing the effects of light on fabric and foliage.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition, focusing on the placement of the figures and the horizon line.

  2. step 02

    Establish the main color blocks for the sky, water, grass, and figures using thin washes.

  3. step 03

    Begin building up the grass with short, broken strokes of yellow, green, and brown.

  4. step 04

    Block in the figures' dresses with white, adding subtle shadows with blues and grays.

  5. step 05

    Develop the facial features and hair with small, careful brushstrokes.

  6. step 06

    Refine the details in the grass and foliage, adding highlights and shadows.

  7. step 07

    Adjust the overall color balance and value contrast to create a sense of atmosphere.

  8. step 08

    Add final touches and highlights to complete the painting.

color palette

primary · titanium white · yellow ochre · ultramarine blue

secondary · burnt sienna · viridian green · alizarin crimson

Achieve the subtle whites by mixing titanium white with small amounts of yellow ochre, ultramarine blue, and burnt sienna. Use viridian green and yellow ochre for the grass, adjusting the mixture with burnt sienna for shadows.

techniques

  • ·broken color
  • ·impasto
  • ·scumbling
  • ·color mixing
  • ·atmospheric perspective

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Creating overly sharp edges, losing the impressionistic feel.
  • →Ignoring the subtle color variations in the white dresses.
  • →Failing to establish a clear light source.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint
  • ·viridian green oil paint
  • ·assorted brushes (round and flat)
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use high-quality oil paints for best results. A medium-sized canvas (16x20 or 18x24) is recommended.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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