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home·artworks·Eliza Eastlake
Eliza Eastlake by Edward Poynter

plate no. 8313

Eliza Eastlake

Edward Poynter, 1864

oil, canvasRomanticismportraitportraitfiguredresshairprofileclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing subtle skin tones and rendering fabric textures. It also offers practice in creating a sense of depth through careful value control.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the outline of the figure, paying attention to proportions and the profile.

  2. step 02

    Establish the background color with a thin wash of green and brown.

  3. step 03

    Block in the main shapes of the face and neck with a mid-tone flesh color.

  4. step 04

    Begin layering lighter and darker tones to define the facial features, focusing on subtle gradations.

  5. step 05

    Paint the hair, using dark browns and blacks, and add highlights to suggest form.

  6. step 06

    Block in the dress with the base color, then add shadows and highlights to create the folds and drapery.

  7. step 07

    Add the details of the dress, such as the black trim and blue ribbons.

  8. step 08

    Refine the details and adjust the values to create a cohesive and realistic portrait.

color palette

primary · titanium white · burnt umber · yellow ochre · cadmium red light

secondary · ultramarine blue · ivory black

Mix skin tones using white, yellow ochre, a touch of red, and burnt umber. Achieve the dress color by mixing yellow ochre and burnt umber with white for highlights and more burnt umber for shadows. Use ultramarine blue for the ribbons and to darken the blacks.

techniques

  • ·portrait drawing
  • ·glazing
  • ·blending
  • ·value studies
  • ·fabric rendering

common pitfalls

  • →Overworking the skin tones, resulting in a muddy or flat appearance.
  • →Failing to capture the subtle variations in value that create form.
  • →Ignoring the importance of accurate proportions in the initial sketch.
  • →Using too much paint, which can obscure the details and textures.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a smooth canvas for best results. Consider using a medium to improve the flow of the paint and create a smoother finish.

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oil painting for beginners →how to learn by studying the masters →
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