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home·artworks·Eleven p.m.
Eleven p.m. by Achille Devéria

plate no. 8912

Eleven p.m.

Achille Devéria, 1831

lithographyRomanticismgenre paintingfiguredressinteriortablecurtainsflowers
some experience helpful

Recreating this painting will help students develop skills in rendering fabric textures, creating subtle color gradients, and capturing the likeness of a human figure in a specific pose. It also provides practice in depicting an interior scene with various objects and details.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the overall composition, focusing on the figure's pose and the placement of key elements like the table and curtains.

  2. step 02

    Establish the background washes, starting with the lightest tones and gradually building up darker values.

  3. step 03

    Begin painting the figure, focusing on the skin tones and the basic shapes of the dress.

  4. step 04

    Add details to the dress, including the lace, ribbons, and floral embellishments.

  5. step 05

    Paint the table and objects on it, paying attention to their textures and colors.

  6. step 06

    Refine the background details, adding shadows and highlights to create depth.

  7. step 07

    Add final touches, such as the figure's jewelry and facial features.

  8. step 08

    Glaze with thin washes to unify the colors and create a sense of atmosphere.

color palette

primary · raw umber · titanium white · alizarin crimson

secondary · cerulean blue · yellow ochre · ivory black

Mix various shades of brown and beige by combining raw umber, titanium white, and small amounts of alizarin crimson and yellow ochre. Use cerulean blue and ivory black to create the blue-gray tones in the dress and ribbons.

techniques

  • ·glazing
  • ·dry brushing
  • ·rendering fabric
  • ·figure drawing
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the subtle color variations in the fabric.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper 140lb
  • ·watercolor paints
  • ·round brushes (various sizes)
  • ·flat brush
  • ·palette
  • ·water container
  • ·paper towels
  • ·pencil

optional

  • ·masking fluid
  • ·kneaded eraser
  • ·ruler

Use high-quality watercolor paper to prevent buckling and allow for multiple layers of washes. Experiment with different brush sizes to achieve varying levels of detail.

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