apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Eleonora of Toledo, daughters of the viceroy of Naples Pedro of Toledo, wife to Cosimo I de Medici, Duke of Florence and Siena
Eleonora of Toledo, daughters of the viceroy of Naples Pedro of Toledo, wife to Cosimo I de Medici, Duke of Florence and Siena by Giorgio Vasari

plate no. 4623

Eleonora of Toledo, daughters of the viceroy of Naples Pedro of Toledo, wife to Cosimo I de Medici, Duke of Florence and Siena

Giorgio Vasari, 1560

oilMannerism (Late Renaissance)portraitportraitfigureornamentframeclothingjewelry
experienced study

Recreating this painting would help students develop skills in portraiture, including accurate proportions and rendering of skin tones, as well as practicing decorative painting and creating the illusion of depth.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the portrait, including the oval frame and the figure's pose.

  2. step 02

    Establish the background color within the oval frame with a thin wash.

  3. step 03

    Block in the main colors of the figure's clothing and skin tones, focusing on accurate values.

  4. step 04

    Begin refining the facial features, paying close attention to the eyes, nose, and mouth.

  5. step 05

    Add details to the clothing, including the patterns and folds.

  6. step 06

    Paint the decorative elements of the frame, using gold and other accent colors.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Refine the details and make any necessary adjustments.

color palette

primary · red · green · gold · ivory

secondary · brown · ochre · white · black

Mix various shades of red by combining a base red with browns, blacks, and whites. Achieve gold tones by mixing yellow ochre with burnt sienna and a touch of white for highlights.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·rendering
  • ·decorative painting

common pitfalls

  • →Inaccurate proportions of the face and body.
  • →Overworking the details too early in the process.
  • →Not achieving a realistic skin tone.
  • →Difficulty rendering the decorative elements.

materials

surface · Stretched canvas

required

  • ·Stretched canvas
  • ·Acrylic or oil paints
  • ·Round brushes (sizes 0, 2, 4)
  • ·Flat brushes (sizes 6, 8)
  • ·Palette
  • ·Palette knife
  • ·Linseed oil (if using oil paints)
  • ·Odorless mineral spirits (if using oil paints)

optional

  • ·Medium gloss
  • ·Retarder medium

Use high-quality paints for best results. Consider using a glazing medium to enhance the depth and luminosity of the colors.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Apollo and the Muses (Parnassus)

Apollo and the Muses (Parnassus)

Lavinia Fontana

Portrait Of Don Rodrigo Vasquez

Portrait Of Don Rodrigo Vasquez

El Greco

Madonna Bolognini

Madonna Bolognini

Correggio

The Unhappy Lot of the Rich

The Unhappy Lot of the Rich

Maerten van Heemskerck

Head of a Woman

Head of a Woman

Orazio Gentileschi

The Deposition

The Deposition

Giorgio Vasari

Portrait of a Man Holding a Letter

Portrait of a Man Holding a Letter

Francesco de' Rossi (Francesco Salviati), "Cecchino"

Portrait of the Physician Carlo Fontana

Portrait of the Physician Carlo Fontana

Bartolomeo Passerotti