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home·artworks·Eleonora Alvares de Toledo y Colonna
Eleonora Alvares de Toledo y Colonna by Alessandro Allori

plate no. 9453

Eleonora Alvares de Toledo y Colonna

Alessandro Allori

oilMannerism (Late Renaissance)portraitportraitfigureclothingrenaissanceorganjewelry
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering complex textures and patterns in clothing. It also provides practice in creating subtle gradations of color to model form.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the figure's pose and proportions on the canvas.

  2. step 02

    Block in the main areas of color, focusing on the background, skin tones, and the basic colors of the clothing.

  3. step 03

    Begin refining the facial features, paying close attention to the placement of the eyes, nose, and mouth.

  4. step 04

    Start adding details to the clothing, including the patterns and textures of the fabric.

  5. step 05

    Work on the background details, including the organ pipes.

  6. step 06

    Refine the highlights and shadows to create depth and dimension.

  7. step 07

    Add the final details, such as the jewelry and any small embellishments.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the colors.

color palette

primary · ivory black · raw umber · titanium white · cadmium red light

secondary · viridian · yellow ochre · alizarin crimson

Achieve skin tones by mixing titanium white, cadmium red light, and yellow ochre, adjusting the ratios to create highlights and shadows. The green in the dress can be created by mixing viridian with yellow ochre and a touch of ivory black.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·color mixing
  • ·rendering fabric

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the details too early in the process.
  • →Not creating enough contrast between the highlights and shadows.
  • →Failing to capture the subtle nuances of the skin tones.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints (ivory black, raw umber, titanium white, cadmium red light, viridian, yellow ochre, alizarin crimson)
  • ·Assorted brushes (round and flat, various sizes)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits
  • ·Linseed oil
  • ·Soft cloths

optional

  • ·Retouch varnish
  • ·Medium gloss
  • ·Easel

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the overall color scheme.

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