apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Elegant Women and Cupids
Elegant Women and Cupids by Adolphe Joseph Thomas Monticelli

plate no. 4621

Elegant Women and Cupids

Adolphe Joseph Thomas Monticelli

oil, panelRomanticismsymbolic paintingfigureswomencupidstreesparkdog
experienced study

Recreating this painting will help students develop skills in loose brushwork and creating form with value rather than precise lines. It's also a good study in capturing light and shadow in a complex scene.

technical profile

palette complexity
3
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main figures and their placement on the canvas.

  2. step 02

    Block in the background with dark browns and blues, leaving lighter areas for the figures.

  3. step 03

    Start defining the figures with broad strokes of color, focusing on the light hitting them.

  4. step 04

    Add highlights to the figures' clothing and faces using lighter shades of white and yellow.

  5. step 05

    Use short, broken strokes to create texture in the grass and foliage.

  6. step 06

    Refine the details of the faces and clothing, but maintain a loose, painterly style.

  7. step 07

    Add final touches of light and shadow to enhance the overall depth and drama.

  8. step 08

    Glaze with thin layers of color to unify the painting and add richness.

color palette

primary · burnt umber · ivory black · titanium white · yellow ochre

secondary · ultramarine blue · cadmium red light · sap green

Mix burnt umber and ivory black for the dark background. Use white and yellow ochre to create highlights on the figures. Mix small amounts of red and blue into the browns to create depth.

techniques

  • ·alla prima
  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·glazing

common pitfalls

  • →Overworking the details and losing the loose, painterly feel.
  • →Creating muddy colors by over-mixing.
  • →Failing to establish a strong value structure.
  • →Not capturing the light and shadow accurately.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 4, 6, 8)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a canvas with a medium texture to help the paint grip. Consider toning the canvas with a thin wash of burnt umber before starting.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke