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home·artworks·Eleanor Parke Custis Lewis(Washington’s granddaughter)
Eleanor Parke Custis Lewis(Washington’s granddaughter) by Gilbert Stuart

plate no. 3991

Eleanor Parke Custis Lewis(Washington’s granddaughter)

Gilbert Stuart, 1804

oilRomanticismportraitportraitfiguredresshairchairbackground
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones. It also provides practice in depicting fabric and creating a sense of depth through subtle value changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the overall composition, focusing on proportions and placement of the figure.

  2. step 02

    Block in the main shapes of the figure, dress, chair, and background with thin washes of color.

  3. step 03

    Begin to refine the skin tones, paying close attention to the subtle variations in color and value.

  4. step 04

    Develop the details of the dress, including the folds and highlights.

  5. step 05

    Add details to the hair, capturing the curls and highlights.

  6. step 06

    Refine the background, creating a sense of depth and atmosphere.

  7. step 07

    Add the final details, such as the flowers in the hair and the embellishments on the dress.

  8. step 08

    Glaze to unify the painting and adjust values as needed.

color palette

primary · titanium white · yellow ochre · burnt umber · cadmium red light

secondary · ultramarine blue · ivory black · alizarin crimson

Mix skin tones using white, yellow ochre, burnt umber, and a touch of red. Create the background with yellow ochre, burnt umber, and a little white. Use ultramarine blue and ivory black for shadows.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·scumbling
  • ·underpainting

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Failing to accurately capture the proportions of the figure.
  • →Ignoring the subtle variations in skin tone.
  • →Creating harsh lines instead of soft transitions.

materials

surface · stretched canvas

required

  • ·Stretched canvas 16x20
  • ·Titanium white oil paint
  • ·Yellow ochre oil paint
  • ·Burnt umber oil paint
  • ·Cadmium red light oil paint
  • ·Ultramarine blue oil paint
  • ·Ivory black oil paint
  • ·Assorted brushes (round and flat)

optional

  • ·Palette knife
  • ·Linseed oil
  • ·Medium gloss

Use a medium-tooth canvas for best results. Consider using a toned ground to help establish values.

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oil painting for beginners →how to learn by studying the masters →
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