apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Eleanor
Eleanor by Frank W. Benson

plate no. 8067

Eleanor

Frank W. Benson, 1907

oilImpressionismportraitfigureportraitdresstreeslandscapehat
some experience helpful

Recreating this painting will help students develop skills in capturing light and shadow on fabric and skin tones, as well as creating depth using color temperature and brushwork.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the figure's pose and placement.

  2. step 02

    Establish the background landscape with broad strokes of color.

  3. step 03

    Block in the main shapes of the figure's dress, paying attention to the folds and drapery.

  4. step 04

    Begin to refine the skin tones, using subtle variations of color to create form.

  5. step 05

    Add details to the hat, focusing on the texture and form.

  6. step 06

    Refine the details of the trees and foliage, using broken brushstrokes to create a sense of movement.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Make final adjustments to the composition and color balance.

color palette

primary · titanium white · alizarin crimson · yellow ochre · ultramarine blue

secondary · viridian green · burnt umber

Mix pinks by combining white with alizarin crimson and a touch of yellow ochre. Create greens by mixing blue and yellow, and use burnt umber to create shadows and earthy tones.

techniques

  • ·broken color
  • ·scumbling
  • ·color mixing
  • ·wet-on-wet blending
  • ·impasto

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Using too much pure white and creating a chalky effect.
  • →Failing to capture the subtle variations in skin tone.
  • →Not establishing a clear light source.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·alizarin crimson oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-grain canvas for best results. Consider using a glazing medium to enhance the luminosity of the colors.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann