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home·artworks·Eleanor and Benny
Eleanor and  Benny by Frank W. Benson

plate no. 7789

Eleanor and Benny

Frank W. Benson, 1916

oilImpressionismgenre paintingfiguresbenchgardentreesfoliagedaylight
some experience helpful

Recreating this painting will help students develop skills in capturing light and shadow, mixing subtle color variations, and rendering figures in a naturalistic setting using impressionistic brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the bench.

  2. step 02

    Establish the background with loose, impressionistic brushstrokes, capturing the light filtering through the trees.

  3. step 03

    Block in the main colors of the figures, paying attention to the light and shadow on their forms.

  4. step 04

    Refine the shapes and details of the figures, adding subtle color variations to create depth.

  5. step 05

    Paint the bench, using short, broken brushstrokes to suggest its texture and form.

  6. step 06

    Add details to the foliage and ground, varying the colors and textures to create visual interest.

  7. step 07

    Adjust the overall values and colors to create a harmonious and balanced composition.

  8. step 08

    Add final highlights and details to enhance the sense of light and atmosphere.

color palette

primary · titanium white · yellow ochre · burnt umber · cadmium red

secondary · viridian green · ultramarine blue · raw sienna

Achieve the subtle skin tones by mixing white, yellow ochre, and a touch of red. Create the greens by mixing yellow ochre, viridian green, and ultramarine blue. Use burnt umber and white for the shadows on the bench and figures.

techniques

  • ·broken color
  • ·scumbling
  • ·wet-on-wet blending
  • ·alla prima
  • ·color layering

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Using colors that are too saturated and unnatural.
  • →Failing to capture the subtle light and shadow on the figures.
  • →Not establishing a clear focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·cadmium red oil paint
  • ·viridian green oil paint
  • ·ultramarine blue oil paint
  • ·round brushes size 2, 4, 6

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use a medium-tooth canvas to allow for good paint adhesion and texture. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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