
plate no. 1046
Vicente Juan Masip, 1550
Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle blending for skin tones, as well as rendering drapery folds and metallic surfaces.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and proportions of the figure, chalice, and background.
Establish the main areas of light and shadow with a thin wash of burnt umber.
Block in the local colors of the skin, hair, robe, and background.
Begin layering and blending the skin tones, paying attention to subtle variations in color and value.
Develop the drapery folds in the robe, using highlights and shadows to create depth.
Render the chalice with attention to its metallic sheen and intricate details.
Add the halo and background pattern, using a fine brush for precision.
Refine the details and adjust the overall composition as needed.
color palette
primary · titanium white · burnt umber · cadmium red · yellow ochre
secondary · ivory black · ultramarine blue · gold
Mix skin tones using white, yellow ochre, burnt umber, and a touch of red. Achieve the red robe by mixing cadmium red with a touch of burnt umber for shadows and white for highlights. Create the background gold by mixing yellow ochre, burnt umber, and a touch of gold paint.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.
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