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home·artworks·El Salvador
El Salvador by Vicente Juan Masip

plate no. 1046

El Salvador

Vicente Juan Masip, 1550

oil, woodMannerism (Late Renaissance)religious paintingfigurereligioushalochalicerobebackground pattern
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle blending for skin tones, as well as rendering drapery folds and metallic surfaces.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, chalice, and background.

  2. step 02

    Establish the main areas of light and shadow with a thin wash of burnt umber.

  3. step 03

    Block in the local colors of the skin, hair, robe, and background.

  4. step 04

    Begin layering and blending the skin tones, paying attention to subtle variations in color and value.

  5. step 05

    Develop the drapery folds in the robe, using highlights and shadows to create depth.

  6. step 06

    Render the chalice with attention to its metallic sheen and intricate details.

  7. step 07

    Add the halo and background pattern, using a fine brush for precision.

  8. step 08

    Refine the details and adjust the overall composition as needed.

color palette

primary · titanium white · burnt umber · cadmium red · yellow ochre

secondary · ivory black · ultramarine blue · gold

Mix skin tones using white, yellow ochre, burnt umber, and a touch of red. Achieve the red robe by mixing cadmium red with a touch of burnt umber for shadows and white for highlights. Create the background gold by mixing yellow ochre, burnt umber, and a touch of gold paint.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·drapery rendering
  • ·metallic rendering

common pitfalls

  • →Incorrect proportions of the figure
  • →Muddy skin tones due to over-blending
  • →Flat drapery without defined folds
  • →Inaccurate rendering of the chalice's metallic surface

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints (titanium white, burnt umber, cadmium red, yellow ochre, ivory black, ultramarine blue)
  • ·Round brushes (sizes 0, 2, 4)
  • ·Flat brushes (sizes 6, 8)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Rags

optional

  • ·palette knife
  • ·retouch varnish
  • ·gold paint

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

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