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home·artworks·El molino
El molino by Francisco Oller

plate no. 2755

El molino

Francisco Oller, 1875

oilImpressionismlandscapelandscapewindmillskyfigurestreesfield
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and broken color techniques to create a sense of depth and light.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of the windmill and figures.

  2. step 02

    Establish the sky with broad strokes of blue, white, and gray, blending for a soft, cloudy effect.

  3. step 03

    Block in the large shapes of the landscape using earth tones, varying the values to create depth.

  4. step 04

    Add the windmill, paying attention to its structure and the direction of light.

  5. step 05

    Introduce details to the foreground, using broken color to represent the texture of the field.

  6. step 06

    Paint the figures with simple shapes and muted colors.

  7. step 07

    Refine the details of the trees and foliage, using small brushstrokes to create texture.

  8. step 08

    Add final highlights and shadows to enhance the sense of light and atmosphere.

color palette

primary · ultramarine blue · burnt umber · titanium white

secondary · yellow ochre · raw sienna · payne's gray

Mix various shades of earth tones by combining burnt umber, yellow ochre, and white. Create atmospheric blues by diluting ultramarine with white.

techniques

  • ·broken color
  • ·atmospheric perspective
  • ·dry brushing
  • ·scumbling
  • ·alla prima

common pitfalls

  • →Overworking the details in the foreground, losing the sense of depth.
  • →Using colors that are too saturated, creating a harsh and unnatural effect.
  • →Neglecting the importance of value contrast in creating form.
  • →Making the windmill too detailed, causing it to dominate the composition.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·mineral spirits

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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