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home·artworks·El Escorial Square with the Sanctuary of the Virgen de Gracia
El Escorial Square with the Sanctuary of the Virgen de Gracia by Martín Rico y Ortega

plate no. 8030

El Escorial Square with the Sanctuary of the Virgen de Gracia

Martín Rico y Ortega, 1858

oilImpressionismcityscapebuildingsskyfiguresplazaclouds
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the essence of a scene with loose brushwork. It also provides practice in depicting figures in a crowd and suggesting details rather than rendering them precisely.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes of the buildings and the horizon line.

  2. step 02

    Establish the basic color washes for the sky, buildings, and ground, working from light to dark.

  3. step 03

    Add darker values to define the shadows and architectural details.

  4. step 04

    Use small, broken brushstrokes to suggest the figures in the crowd, focusing on their general shapes and positions.

  5. step 05

    Layer the colors of the sky, adding pinks and purples to the blue.

  6. step 06

    Refine the details of the buildings, such as windows and rooflines, with a small brush.

  7. step 07

    Add final touches of light and shadow to create depth and dimension.

  8. step 08

    Glaze the entire painting with a thin wash of a neutral color to unify the composition.

color palette

primary · ultramarine blue · burnt sienna · raw umber

secondary · cadmium red light · yellow ochre

Mix ultramarine blue with burnt sienna to create the darker tones in the sky and shadows. Use yellow ochre and burnt sienna for the buildings, and add a touch of cadmium red light for the pinkish hues in the clouds.

techniques

  • ·wet-on-dry washes
  • ·dry brush
  • ·atmospheric perspective
  • ·broken color

common pitfalls

  • →Overworking the details, losing the loose and impressionistic feel.
  • →Making the colors too saturated, resulting in an unnatural appearance.
  • →Failing to establish a clear value structure, leading to a flat and lifeless painting.
  • →Not simplifying the figures enough, making them appear cluttered and distracting.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paints
  • ·watercolor brushes (round and flat)
  • ·watercolor paper (140lb)
  • ·palette
  • ·water container
  • ·paper towels
  • ·masking tape

optional

  • ·palette knife
  • ·gouache

Use high-quality watercolor paper to prevent buckling and ensure the colors blend smoothly. Experiment with different brush sizes to achieve various effects.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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