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home·artworks·Eionon Garn on the Perddyn or Ysgwd or Scwd Fall, Neath Valley
Eionon Garn on the Perddyn or Ysgwd or Scwd Fall, Neath Valley by Penry Williams

plate no. 0505

Eionon Garn on the Perddyn or Ysgwd or Scwd Fall, Neath Valley

Penry Williams, 1819

oil, boardRomanticismlandscapewaterfalltreeslandscaperocksfoliagewater
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and using brushstrokes to suggest texture in foliage and rocks. It also provides practice in capturing the movement of water and creating atmospheric perspective.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the waterfall and major landforms.

  2. step 02

    Establish the dark underpainting using burnt umber and raw sienna.

  3. step 03

    Begin layering in the darker values of the rocks and foliage, gradually building up the forms.

  4. step 04

    Add highlights to the foliage using lighter shades of green and yellow ochre.

  5. step 05

    Paint the waterfall with thin, vertical strokes of white, adding subtle gray tones for depth.

  6. step 06

    Reflect the colors of the surrounding landscape in the water at the base of the falls.

  7. step 07

    Add details such as small branches and individual leaves to enhance the realism.

  8. step 08

    Glaze with thin washes of color to unify the painting and create atmospheric perspective.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · yellow ochre · sap green · payne's gray

Mix burnt umber and raw sienna for the base tones of the rocks and foliage. Add white to these mixtures for highlights. Use yellow ochre and sap green for the brighter foliage. Mix Payne's gray with white for the subtle grays in the waterfall.

techniques

  • ·layering
  • ·dry brushing
  • ·glazing
  • ·scumbling
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details, resulting in a stiff and unnatural appearance.
  • →Failing to create sufficient contrast between light and dark values.
  • →Making the waterfall too uniform and lacking in depth.
  • →Ignoring the subtle color variations in the foliage.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·sap green oil paint
  • ·payne's gray oil paint
  • ·#4 round brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

Use a canvas with a smooth texture to facilitate blending. Consider using a medium to thin the oil paints for glazing.

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oil painting for beginners →how to learn by studying the masters →
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