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home·artworks·Eglise de Saint Germain des pres
Eglise de Saint Germain des pres by Antoine Blanchard

plate no. 5143

Eglise de Saint Germain des pres

Antoine Blanchard

oilImpressionismcityscapecityscapebuildingfiguresstreettreessky
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing reflections on wet surfaces. It also provides practice in simplifying complex architectural details and rendering figures in motion.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the building, the street, and the horizon line.

  2. step 02

    Block in the sky with a muted grey-blue, allowing for subtle variations in tone.

  3. step 03

    Establish the basic shapes of the building using a mix of grey, beige, and hints of green.

  4. step 04

    Add the darker values to define the architectural details, such as windows and cornices.

  5. step 05

    Block in the street with a base of grey and brown, then add reflections using lighter, broken strokes.

  6. step 06

    Paint the figures with quick, gestural strokes, focusing on their silhouettes and movement.

  7. step 07

    Add the trees and foliage using a mix of greens and browns, with loose, textured brushwork.

  8. step 08

    Refine the details and add highlights to create a sense of depth and atmosphere.

color palette

primary · grey · beige · brown · white

secondary · green · blue · yellow ochre

Achieve the muted tones by mixing complementary colors (e.g., blue and orange, green and red) with white. Use yellow ochre to warm up the greys and browns.

techniques

  • ·broken color
  • ·atmospheric perspective
  • ·wet-on-wet blending
  • ·scumbling
  • ·alla prima

common pitfalls

  • →Overworking the details of the building, losing the impressionistic feel.
  • →Making the reflections too uniform and symmetrical.
  • →Creating figures that are too stiff or static.
  • →Failing to capture the atmospheric perspective, resulting in a flat image.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·view finder

Use a limited palette of colors to achieve a harmonious and unified look. Consider using a toned canvas to establish a base color.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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