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home·artworks·Eggert Christopher Tryde, provost of Copenhagen 1838-1857
Eggert Christopher Tryde, provost of Copenhagen 1838-1857 by Wilhelm Marstrand

plate no. 8166

Eggert Christopher Tryde, provost of Copenhagen 1838-1857

Wilhelm Marstrand, 1858

oilRomanticismportraitportraitfigureclothingruffcrossmedal
some experience helpful

Recreating this portrait will help students develop skills in portraiture, including accurate proportions and rendering skin tones, as well as understanding light and shadow to create form. The ruff provides an opportunity to practice rendering complex repetitive shapes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
5

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and ruff.

  2. step 02

    Establish the background color with a thin wash of paint.

  3. step 03

    Block in the main areas of color for the face, clothing, and background, paying attention to the overall value structure.

  4. step 04

    Begin to refine the facial features, building up layers of color to create depth and form.

  5. step 05

    Work on the ruff, carefully rendering the folds and shadows to create a sense of volume.

  6. step 06

    Add details to the clothing and medals, paying attention to the textures and patterns.

  7. step 07

    Refine the overall composition, adjusting values and colors as needed.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · titanium white · ivory black · burnt umber · cadmium red

secondary · ultramarine blue · yellow ochre

Skin tones are achieved by mixing white, red, umber, and a touch of blue. Vary the proportions to create highlights and shadows. Black and umber create the dark clothing. White and a touch of blue make the ruff.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·blending
  • ·rendering folds

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the skin tones and creating a muddy effect.
  • →Failing to capture the subtle variations in value and color.
  • →Simplifying the ruff too much and losing the sense of volume.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·burnt umber oil paint
  • ·cadmium red oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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