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home·artworks·Edward Bawden Working in His Studio
Edward Bawden Working in His Studio by Eric Ravilious

plate no. 2263

Edward Bawden Working in His Studio

Eric Ravilious, 1930

oilMagic Realismportraitartiststudiointeriorportraitsrolls of papercurtains
some experience helpful

Recreating this painting will help students develop skills in rendering realistic light and shadow, as well as creating a sense of depth and perspective in an interior space. It also provides practice in depicting various textures, such as fabric, paper, and wood.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the perspective of the room and the placement of the main objects.

  2. step 02

    Block in the large areas of color, starting with the background walls and floor.

  3. step 03

    Begin to refine the shapes of the objects, such as the rolls of paper, the artist, and the furniture.

  4. step 04

    Add details to the objects, such as the folds in the curtains, the features of the artist, and the patterns on the rug.

  5. step 05

    Work on the lighting and shadows, using subtle gradations of color to create a sense of depth.

  6. step 06

    Refine the details and add highlights to create a sense of realism.

  7. step 07

    Pay close attention to the edges of the objects, softening them where necessary to create a sense of atmosphere.

  8. step 08

    Add final touches and adjust colors as needed.

color palette

primary · ochre · burnt umber · titanium white

secondary · cadmium yellow · ultramarine blue · raw sienna

Mix ochre with burnt umber and white for the walls. Use cadmium yellow and white for the curtains. Mix ultramarine blue with white for the artist's shirt. Use raw sienna and burnt umber for the floor and furniture.

techniques

  • ·glazing
  • ·scumbling
  • ·color mixing
  • ·linear perspective
  • ·atmospheric perspective

common pitfalls

  • →Incorrect perspective
  • →Overly harsh shadows
  • →Lack of color variation
  • →Ignoring the subtle shifts in value
  • →Getting lost in the details too early

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)

optional

  • ·medium gloss
  • ·varnish
  • ·easel

Use a medium-grain canvas for best results. If using oil paints, allow each layer to dry completely before applying the next.

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related guides

oil painting for beginners →how to learn by studying the masters →
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