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home·artworks·Edmond Picard
Edmond Picard by Jan Toorop

plate no. 6225

Edmond Picard

Jan Toorop, 1885

oilImpressionismportraitfigureportraitbookmanindoorreading
some experience helpful

Recreating this painting will help students develop skills in capturing a likeness with loose brushstrokes and creating a sense of depth through layering warm and cool tones. It also provides practice in simplifying complex forms into basic shapes and values.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure and the book.

  2. step 02

    Establish the overall value structure with thin washes of burnt umber and raw sienna.

  3. step 03

    Block in the main color areas, focusing on warm and cool contrasts.

  4. step 04

    Develop the facial features and details of the hands, using small, deliberate brushstrokes.

  5. step 05

    Add highlights to the book and the figure's face to create focal points.

  6. step 06

    Refine the background with loose, expressive brushstrokes.

  7. step 07

    Adjust the values and colors to create a sense of depth and atmosphere.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · burnt umber · raw sienna · ivory black

secondary · cadmium yellow · alizarin crimson · ultramarine blue

Achieve the skin tones by mixing raw sienna, burnt umber, and a touch of alizarin crimson. Create the darks by mixing burnt umber and ivory black. Use ultramarine blue to cool down the shadows.

techniques

  • ·alla prima
  • ·broken color
  • ·scumbling
  • ·layering
  • ·value study

common pitfalls

  • →Overworking the details and losing the loose, expressive quality.
  • →Failing to establish a strong value structure early on.
  • →Using colors that are too saturated and not harmonizing with the overall palette.
  • →Neglecting the importance of edges and transitions.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·cadmium yellow oil paint
  • ·alizarin crimson oil paint
  • ·ultramarine blue oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-grain canvas to allow for expressive brushstrokes. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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