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home·artworks·Ecce Homo
Ecce Homo by Andrea Solario

plate no. 7052

Ecce Homo

Andrea Solario, 1505

oilHigh Renaissancereligious paintingfigurereligiousportraitcrown of thornsbloodtears
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in rendering skin tones and subtle gradations of light and shadow. It also provides practice in capturing emotion through facial expression.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the proportions of the face and body.

  2. step 02

    Block in the background with a dark, muted color.

  3. step 03

    Establish the main light and shadow areas on the face and body using thin washes of color.

  4. step 04

    Begin building up the skin tones with layers of subtle color variations.

  5. step 05

    Define the features of the face, paying close attention to the eyes, nose, and mouth.

  6. step 06

    Paint the hair and beard, using small brushstrokes to create texture.

  7. step 07

    Add the crown of thorns and blood droplets, using a fine brush.

  8. step 08

    Refine the details and adjust the values to create a sense of depth and realism.

color palette

primary · raw umber · burnt sienna · titanium white

secondary · alizarin crimson · yellow ochre

Achieve skin tones by mixing white with small amounts of burnt sienna, raw umber, and yellow ochre. Use alizarin crimson to add warmth to the cheeks and lips. Darken shadows with a mix of raw umber and alizarin crimson.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →Overworking the skin tones and creating a muddy effect.
  • →Failing to capture the subtle nuances of light and shadow.
  • →Getting the proportions of the face wrong.
  • →Making the colors too bright or saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·alizarin crimson oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 0, 2, 4)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

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