
plate no. 0498
Clarence Gagnon, 1923
This painting provides an opportunity to practice layering techniques to create depth and atmospheric perspective. Students can also develop their skills in depicting subtle color variations in snow and shadows.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the mountain ranges and the foreground elements.
Block in the sky with a light, cool color.
Establish the dark values of the distant mountains, gradually lightening as they come forward.
Paint the foreground field, using a mix of browns and grays.
Add the snow patches, paying attention to the shadows and highlights.
Paint the bare trees, using thin lines and subtle color variations.
Add details to the bushes and other foreground elements.
Refine the overall painting, adjusting values and colors as needed.
color palette
primary · ultramarine blue · titanium white · burnt umber
secondary · yellow ochre · raw sienna · alizarin crimson
Mix blues and whites for the sky and distant mountains, adding a touch of umber for shadows. Use umber, sienna, and ochre for the field, and mix blues and umber for the dark mountains.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.
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