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home·artworks·Early Spring Morning in the Laurentian Wilds
Early Spring Morning in the Laurentian Wilds by Clarence Gagnon

plate no. 0498

Early Spring Morning in the Laurentian Wilds

Clarence Gagnon, 1923

oilImpressionismlandscapemountainstreessnowfieldskylandscape
some experience helpful

This painting provides an opportunity to practice layering techniques to create depth and atmospheric perspective. Students can also develop their skills in depicting subtle color variations in snow and shadows.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the mountain ranges and the foreground elements.

  2. step 02

    Block in the sky with a light, cool color.

  3. step 03

    Establish the dark values of the distant mountains, gradually lightening as they come forward.

  4. step 04

    Paint the foreground field, using a mix of browns and grays.

  5. step 05

    Add the snow patches, paying attention to the shadows and highlights.

  6. step 06

    Paint the bare trees, using thin lines and subtle color variations.

  7. step 07

    Add details to the bushes and other foreground elements.

  8. step 08

    Refine the overall painting, adjusting values and colors as needed.

color palette

primary · ultramarine blue · titanium white · burnt umber

secondary · yellow ochre · raw sienna · alizarin crimson

Mix blues and whites for the sky and distant mountains, adding a touch of umber for shadows. Use umber, sienna, and ochre for the field, and mix blues and umber for the dark mountains.

techniques

  • ·layering
  • ·atmospheric perspective
  • ·dry brushing
  • ·color mixing
  • ·scumbling

common pitfalls

  • →Making the distant mountains too bright or saturated.
  • →Overworking the details in the foreground.
  • →Not creating enough contrast between the snow and the shadows.
  • →Using too much pure white for the snow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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