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home·artworks·Early Spring
Early Spring by Vilhelms Purvitis

plate no. 6036

Early Spring

Vilhelms Purvitis, 1899

oilImpressionismlandscapetreessnowwaterlandscapereflectionssky
some experience helpful

This painting provides an opportunity to practice depicting reflections in water and creating a sense of depth using atmospheric perspective. Students can also learn to mix subtle color variations to represent snow and ice.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees and the flow of the water.

  2. step 02

    Establish the sky and background hills with thin washes of color.

  3. step 03

    Block in the dark values of the water, paying attention to the reflections of the trees.

  4. step 04

    Add the snow, using a mix of white and cool blues to create shadows and highlights.

  5. step 05

    Paint the trees, using a dry brush technique to create texture and detail.

  6. step 06

    Refine the reflections in the water, adding subtle color variations and highlights.

  7. step 07

    Add details to the snow and ice, creating a sense of depth and realism.

  8. step 08

    Make final adjustments to the overall composition and color balance.

color palette

primary · titanium white · ultramarine blue · burnt umber

secondary · yellow ochre · raw sienna · payne's gray

Mix white with small amounts of blue and umber to create the cool tones of the snow. Use umber and sienna for the trees, and add blue to darken the water.

techniques

  • ·dry brush
  • ·wet-on-dry layering
  • ·color mixing
  • ·atmospheric perspective
  • ·rendering reflections

common pitfalls

  • →Overworking the details in the snow, resulting in a flat and lifeless appearance.
  • →Failing to capture the subtle color variations in the water, making it look too uniform.
  • →Ignoring the atmospheric perspective, causing the background to appear too sharp and defined.
  • →Making the reflections too perfect, which can look unnatural.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·#4 round brush
  • ·#6 flat brush
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas to allow for texture. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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