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home·artworks·Eagle Cliff, New Hampshire
Eagle Cliff, New Hampshire by Jasper Francis Cropsey

plate no. 7578

Eagle Cliff, New Hampshire

Jasper Francis Cropsey, 1851

oilRomanticismlandscapemountainstreescabinfigureskyfoliage
experienced study

Recreating this painting will help students develop skills in atmospheric perspective and rendering complex foliage with subtle color variations. Students will also learn to create depth and dimension through layering and glazing techniques.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the mountain, cabin, and trees.

  2. step 02

    Establish the sky with a gradient of colors, from light blue to pink and orange near the horizon.

  3. step 03

    Block in the mountain mass with dark browns and greens, paying attention to the light and shadow.

  4. step 04

    Add the foliage using a variety of brushstrokes and colors, creating depth and texture.

  5. step 05

    Paint the cabin, focusing on the details of the logs and windows.

  6. step 06

    Add the figure and other details in the foreground, such as rocks and fallen logs.

  7. step 07

    Refine the details and add highlights to create a sense of realism.

  8. step 08

    Glaze with thin layers of color to unify the painting and create atmospheric perspective.

color palette

primary · burnt umber · raw sienna · ultramarine blue · titanium white

secondary · cadmium yellow · alizarin crimson · viridian

Mix browns and greens by combining burnt umber, raw sienna, ultramarine blue, and small amounts of cadmium yellow. Achieve atmospheric perspective by adding white to colors to lighten and desaturate them.

techniques

  • ·atmospheric perspective
  • ·layering
  • ·glazing
  • ·dry brushing
  • ·broken color

common pitfalls

  • →Overworking the details and losing the overall sense of atmosphere.
  • →Using too much detail in the background, which can flatten the image.
  • →Failing to create a strong sense of depth and distance.
  • →Not paying attention to the subtle color variations in the foliage.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·#2 round brush
  • ·#6 filbert brush

optional

  • ·retouch varnish
  • ·easel
  • ·painting medium

Use high-quality oil paints for best results. Consider using a medium to speed up drying time and improve blending.

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