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home·artworks·Dutch writer Ina Boudier-Bakker
Dutch writer Ina Boudier-Bakker by Isaac Israels

plate no. 9969

Dutch writer Ina Boudier-Bakker

Isaac Israels, 1934

oilImpressionismportraitportraitwomanhairclothingfacecollar
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and creating soft, impressionistic brushstrokes. It also provides practice in mixing skin tones and rendering fabric.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and background.

  2. step 02

    Establish the main value areas with thin washes of color, focusing on the overall light and shadow patterns.

  3. step 03

    Begin building up the skin tones, using subtle variations of color and value to create form.

  4. step 04

    Define the features of the face, paying attention to the shapes of the eyes, nose, and mouth.

  5. step 05

    Add details to the hair and clothing, using loose brushstrokes to suggest texture and form.

  6. step 06

    Refine the background, blending the colors to create a soft, atmospheric effect.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Step back and assess the overall composition, making any necessary adjustments.

color palette

primary · titanium white · raw umber · burnt sienna · ultramarine blue

secondary · cadmium red light · yellow ochre

Mix skin tones using white, burnt sienna, raw umber, and a touch of red. Use ultramarine blue and raw umber to create the dark tones in the clothing and hair. Add yellow ochre to white for highlights.

techniques

  • ·wet-on-wet blending
  • ·broken color
  • ·scumbling
  • ·alla prima
  • ·portraiture

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Creating muddy or dull skin tones.
  • →Failing to capture the likeness of the subject.
  • →Ignoring the overall light and shadow patterns.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·medium gloss
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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