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home·artworks·Durham Cathedral from the river
Durham Cathedral from the river by John Glover

plate no. 7294

Durham Cathedral from the river

John Glover

oil, canvasRomanticismlandscapetreesrivercastlelandscapefiguressky
some experience helpful

Recreating this painting will help students understand atmospheric perspective and how to create depth using color and value changes. It also provides practice in rendering foliage and architectural details in a loose, painterly style.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the castle, river, and major tree masses.

  2. step 02

    Establish the sky with a thin wash of warm yellow and white, blending softly.

  3. step 03

    Block in the distant hills and castle with diluted browns and grays, paying attention to atmospheric perspective.

  4. step 04

    Paint the river with reflections, using horizontal brushstrokes and varying shades of brown, green, and gray.

  5. step 05

    Add the larger trees, focusing on the shapes of the foliage and the play of light and shadow.

  6. step 06

    Develop the foreground details, including the figures and the path, using smaller brushes.

  7. step 07

    Refine the highlights and shadows throughout the painting to create depth and interest.

  8. step 08

    Add final details, such as branches and leaves, to enhance the realism of the scene.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · yellow ochre · ultramarine blue · cadmium red

Achieve the muted tones by mixing browns with small amounts of blue and red. Use white to lighten colors and create atmospheric perspective.

techniques

  • ·atmospheric perspective
  • ·broken color
  • ·scumbling
  • ·glazing
  • ·wet-on-dry

common pitfalls

  • →Overworking the details and losing the overall atmospheric effect.
  • →Using colors that are too bright or saturated.
  • →Failing to create a sense of depth in the landscape.
  • →Making the brushstrokes too uniform and losing the texture of the foliage.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·medium gloss
  • ·easel

Use a canvas with a medium texture to allow for broken color effects. Consider using a toned canvas (e.g., raw umber wash) to establish a warm undertone.

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oil painting for beginners →how to learn by studying the masters →
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