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home·artworks·Dungannon, the Property of Colonel OKelly, Painted in a Paddock with a Sheep
Dungannon, the Property of Colonel OKelly, Painted in a Paddock with a Sheep by George Stubbs

plate no. 3293

Dungannon, the Property of Colonel OKelly, Painted in a Paddock with a Sheep

George Stubbs, 1793

oilRomanticismanimal paintinghorsesheeplandscapetreesbuildinggrass
some experience helpful

This painting provides practice in rendering realistic animal anatomy and creating depth through subtle color variations and atmospheric perspective. Students can learn to blend colors smoothly to create soft transitions and model forms.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the horse, sheep, building, and trees, paying attention to proportions and placement.

  2. step 02

    Block in the main colors of the sky, grass, and background elements using thin washes.

  3. step 03

    Begin layering the horse's coat with darker and lighter shades of brown, focusing on capturing the highlights and shadows.

  4. step 04

    Add details to the sheep's wool, using short, broken brushstrokes to create texture.

  5. step 05

    Refine the details of the trees and building, paying attention to the subtle variations in color and value.

  6. step 06

    Add the details of the horse's mane, tail, and legs.

  7. step 07

    Blend the edges of the forms to create a soft, natural look.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and realism.

color palette

primary · burnt umber · yellow ochre · titanium white · Prussian blue

secondary · raw sienna · ivory black · sap green

Mix burnt umber and yellow ochre for the horse's coat, adding white for highlights and black for shadows. Use Prussian blue and white for the sky, and mix greens from yellow ochre, Prussian blue, and white for the grass and trees.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·color blending
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Using colors that are too saturated or intense.
  • →Failing to create a sense of depth and atmosphere.
  • →Incorrect proportions of the animals.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

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oil painting for beginners →how to learn by studying the masters →
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