apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Dulber. Sanatorium 'Krasnye Zori'
Dulber. Sanatorium 'Krasnye Zori' by Ilya Mashkov

plate no. 5281

Dulber. Sanatorium 'Krasnye Zori'

Ilya Mashkov, 1920

oil, canvasImpressionismcityscapebuildingtreesfigureslandscapestairsgarden
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as simplifying complex forms into basic shapes. It's a good exercise in capturing the overall impression of a scene rather than precise details.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition, focusing on the placement of the building, trees, and figures.

  2. step 02

    Block in the main color areas: sky, building, foliage, and ground.

  3. step 03

    Start adding details to the building, defining the windows, arches, and dome.

  4. step 04

    Develop the foliage by layering different shades of green and brown, using broken brushstrokes.

  5. step 05

    Paint the figures, paying attention to their poses and clothing.

  6. step 06

    Add details to the foreground, such as the lawn, path, and flowers.

  7. step 07

    Refine the overall composition, adjusting colors and values as needed.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · white · blue · green · brown

secondary · red · yellow · grey

Mix various greens by combining blue, yellow, and brown. Achieve the off-white of the building by adding small amounts of yellow and brown to white. The sky is a mix of blue and white with hints of grey.

techniques

  • ·broken brushstrokes
  • ·layering
  • ·color mixing
  • ·scumbling
  • ·atmospheric perspective

common pitfalls

  • →Getting bogged down in details too early.
  • →Overmixing colors, resulting in muddy tones.
  • →Ignoring the overall composition and focusing on individual elements.
  • →Not varying brushstrokes enough to create texture.

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24 inches
  • ·Oil paints: titanium white, ultramarine blue, cadmium yellow, burnt umber, cadmium red
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brushes (sizes 4, 8)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife

optional

  • ·Retouch varnish
  • ·Medium gloss
  • ·Easel

Use a medium-tooth canvas for better texture. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann