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home·artworks·Drue Heinz
Drue Heinz by Abdul Mati Klarwein

plate no. 1364

Drue Heinz

Abdul Mati Klarwein, 1961

oilMagic Realismportraitportraitfigurewindowcityscapeinteriorjewelry
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as understanding atmospheric perspective and creating depth in an interior scene.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, focusing on the placement of the figure, window, and key elements.

  2. step 02

    Establish the background with broad, loose strokes, paying attention to the overall value structure.

  3. step 03

    Block in the main shapes of the figure, focusing on proportions and the overall pose.

  4. step 04

    Begin to refine the skin tones, using subtle color variations to create form and volume.

  5. step 05

    Add details to the face, including the eyes, nose, and mouth, paying close attention to capturing the likeness.

  6. step 06

    Paint the clothing and jewelry, using a combination of broad strokes and finer details.

  7. step 07

    Develop the cityscape seen through the window, focusing on atmospheric perspective and simplified shapes.

  8. step 08

    Add final details and highlights to the entire painting, refining the overall composition and creating a sense of depth.

color palette

primary · raw umber · burnt sienna · titanium white

secondary · cerulean blue · cadmium yellow · alizarin crimson

Achieve skin tones by mixing white, burnt sienna, and small amounts of red and yellow. Use raw umber and white to create the muted tones of the background and clothing. Mix cerulean blue with white to create the cool tones of the cityscape.

techniques

  • ·alla prima
  • ·scumbling
  • ·glazing
  • ·dry brushing
  • ·atmospheric perspective

common pitfalls

  • →Getting bogged down in details too early in the process.
  • →Failing to establish a strong value structure.
  • →Overworking the skin tones and losing the freshness of the brushstrokes.
  • →Ignoring the importance of atmospheric perspective in the cityscape.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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