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home·artworks·Dressing the Children
Dressing the Children by Laura Knight

plate no. 7385

Dressing the Children

Laura Knight, 1906

oilImpressionismgenre paintingfigureschildreninteriorfireplacecatdomestic scene
some experience helpful

Recreating this painting will help students develop skills in capturing subtle light variations and rendering figures in a dimly lit interior. It also provides practice in creating a sense of depth and atmosphere using a limited color palette.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the fireplace.

  2. step 02

    Establish the overall value structure with a thin wash of a neutral color like raw umber.

  3. step 03

    Block in the main colors of the walls, floor, and figures, paying attention to the light source from the fireplace.

  4. step 04

    Start building up the details of the figures, focusing on the folds of the clothing and the facial features.

  5. step 05

    Add the details of the fireplace, including the fire and the surrounding brickwork.

  6. step 06

    Refine the colors and values, paying attention to the subtle shifts in tone.

  7. step 07

    Add the finishing touches, such as the details of the cat and the other objects in the room.

  8. step 08

    Glaze with thin layers to unify the painting and adjust the values as needed.

color palette

primary · raw umber · burnt sienna · ivory black · titanium white

secondary · yellow ochre · cadmium red light · ultramarine blue

The key to achieving the muted colors in this painting is to mix the primary colors together to create a range of neutral tones. Use white to lighten the colors and black to darken them. Add small amounts of the secondary colors to create subtle variations in hue.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·broken color

common pitfalls

  • →Overworking the details and losing the overall sense of atmosphere.
  • →Using colors that are too bright or saturated.
  • →Failing to establish a strong value structure.
  • →Ignoring the subtle shifts in tone and color.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·dammar varnish

Use a medium-grain canvas for best results. Consider using a toned canvas to help establish the overall value structure.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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