apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Dressing
Dressing by Edward E. Simmons

plate no. 5616

Dressing

Edward E. Simmons, 1893

oilImpressionismgenre paintingfiguredresschairinteriorstockingsshoes
some experience helpful

Recreating this painting will help students develop skills in depicting the human form in a relaxed pose, as well as capturing the subtle nuances of light and shadow on fabric. It also provides practice in creating a sense of depth and atmosphere through color and brushwork.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the figure's pose and the placement of the chair and other objects.

  2. step 02

    Establish the main areas of light and shadow with a thin wash of color.

  3. step 03

    Begin building up the form of the figure, paying attention to the contours and proportions.

  4. step 04

    Add details to the dress, chair, and background, using small, broken brushstrokes.

  5. step 05

    Refine the colors and values, creating a sense of depth and atmosphere.

  6. step 06

    Add highlights and shadows to create a sense of form and volume.

  7. step 07

    Pay attention to the details of the face and hands.

  8. step 08

    Make final adjustments to the composition and color balance.

color palette

primary · titanium white · raw umber · burnt sienna

secondary · ivory black · cadmium red light · yellow ochre

Mix white with small amounts of raw umber and burnt sienna to create the various shades of white in the dress. Use yellow ochre and cadmium red to create the skin tones.

techniques

  • ·broken color
  • ·scumbling
  • ·dry brush
  • ·glazing
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the freshness of the brushwork.
  • →Failing to create a sense of depth and atmosphere.
  • →Getting the proportions of the figure wrong.
  • →Using colors that are too saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel

Use a medium-grit canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann