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Dreaming by Nicolae Vermont

plate no. 4869

Dreaming

Nicolae Vermont, 1896

oilImpressionismportraitportraitfigureprofilefoliagehairdress
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing, and creating soft, atmospheric effects with visible brushstrokes. It's a good exercise in capturing subtle light and shadow on a face and clothing.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the figure and background.

  2. step 02

    Establish the overall color scheme with a thin wash of green and blue tones.

  3. step 03

    Block in the dark areas of the hair and background.

  4. step 04

    Begin layering in the skin tones, focusing on the subtle shifts in color and value.

  5. step 05

    Add the details of the dress, using light blues and whites to suggest folds and highlights.

  6. step 06

    Refine the facial features, paying close attention to the eyes, nose, and mouth.

  7. step 07

    Add final details to the background foliage, using short, broken brushstrokes.

  8. step 08

    Adjust values and colors as needed to create a cohesive and harmonious composition.

color palette

primary · Prussian Blue · Titanium White · Burnt Sienna

secondary · Yellow Ochre · Cadmium Red Light · Viridian

Mix greens by combining Prussian Blue and Yellow Ochre, and soften with white. Skin tones are achieved by blending Burnt Sienna, Cadmium Red Light, and white, with touches of blue or green for shadows.

techniques

  • ·Impasto
  • ·Broken Color
  • ·Scumbling
  • ·Wet-on-wet blending
  • ·Color layering

common pitfalls

  • →Overworking the details
  • →Using too much paint
  • →Creating muddy colors
  • →Ignoring the subtle shifts in value

materials

surface · Stretched canvas

required

  • ·Stretched canvas
  • ·Oil paints
  • ·#4 round brush
  • ·#6 flat brush
  • ·#8 filbert brush
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits

optional

  • ·Palette knife
  • ·Retouch varnish
  • ·Easel

Use a medium-grain canvas to allow for good paint adhesion and texture. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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