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home·artworks·Dr. William Hartigan
Dr. William Hartigan by Gilbert Stuart

plate no. 2365

Dr. William Hartigan

Gilbert Stuart, 1793

oilRomanticismportraitportraitfiguremanclothinghistoricalwig
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as understanding subtle value shifts to create form. Students will also learn to simplify complex details like the ruffled collar.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the head, shoulders, and clothing using light pencil lines.

  2. step 02

    Establish the overall background color with a thin wash of muted green/brown.

  3. step 03

    Block in the main areas of color: skin tones, hair, clothing, and collar.

  4. step 04

    Begin refining the skin tones by layering and blending subtle variations of color.

  5. step 05

    Add details to the face, focusing on accurate placement and rendering of the eyes, nose, and mouth.

  6. step 06

    Work on the clothing, paying attention to the folds and shadows to create a sense of volume.

  7. step 07

    Render the ruffled collar with careful attention to the light and shadow patterns.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · titanium white · yellow ochre · burnt umber · ivory black

secondary · cadmium red light · ultramarine blue

Skin tones are achieved by mixing white, yellow ochre, a touch of red, and a hint of umber. The background is a mix of umber, black, and a touch of yellow ochre. The black clothing is a mix of ivory black and burnt umber.

techniques

  • ·portrait painting
  • ·blending
  • ·layering
  • ·value studies
  • ·color mixing

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the skin tones and making them look muddy.
  • →Failing to capture the likeness of the subject.
  • →Ignoring the subtle value shifts that create form.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·medium (e.g., Liquin)
  • ·varnish

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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