
plate no. 2365
Gilbert Stuart, 1793
Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as understanding subtle value shifts to create form. Students will also learn to simplify complex details like the ruffled collar.
technical profile
approach — 8 steps
Sketch the basic shapes and proportions of the head, shoulders, and clothing using light pencil lines.
Establish the overall background color with a thin wash of muted green/brown.
Block in the main areas of color: skin tones, hair, clothing, and collar.
Begin refining the skin tones by layering and blending subtle variations of color.
Add details to the face, focusing on accurate placement and rendering of the eyes, nose, and mouth.
Work on the clothing, paying attention to the folds and shadows to create a sense of volume.
Render the ruffled collar with careful attention to the light and shadow patterns.
Add final highlights and details to complete the painting.
color palette
primary · titanium white · yellow ochre · burnt umber · ivory black
secondary · cadmium red light · ultramarine blue
Skin tones are achieved by mixing white, yellow ochre, a touch of red, and a hint of umber. The background is a mix of umber, black, and a touch of yellow ochre. The black clothing is a mix of ivory black and burnt umber.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-tooth canvas for best results. Consider using a limited palette to simplify color mixing.
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