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home·artworks·Dr Will Maloney
Dr Will Maloney by John Peter Russell

plate no. 6080

Dr Will Maloney

John Peter Russell, 1887

oil, canvasImpressionismportraitportraitfiguremanshirtfacial hairbackground
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and creating texture with visible brushstrokes. It also provides practice in capturing light and shadow to define form.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure and background.

  2. step 02

    Establish the overall value structure with thin washes of color.

  3. step 03

    Block in the main areas of color, focusing on the skin tones, shirt, and background.

  4. step 04

    Begin building up texture with short, directional brushstrokes.

  5. step 05

    Mix and apply subtle color variations to create depth and form.

  6. step 06

    Refine the details of the face, paying attention to the eyes, nose, and mouth.

  7. step 07

    Add highlights and shadows to enhance the three-dimensionality of the figure.

  8. step 08

    Adjust the overall composition and color balance to achieve a harmonious effect.

color palette

primary · titanium white · raw umber · cadmium red light · ultramarine blue

secondary · yellow ochre · alizarin crimson · viridian

Mix skin tones using white, raw umber, cadmium red, and a touch of blue. Achieve the shirt stripes by mixing white with a small amount of red and blue. Use ultramarine blue and raw umber for the darker background areas.

techniques

  • ·broken color
  • ·scumbling
  • ·alla prima
  • ·directional brushstrokes
  • ·color layering

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Focusing too much on detail too early in the process.
  • →Ignoring the importance of value in creating form.
  • →Failing to capture the subtle color variations in the skin tones.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (titanium white, raw umber, cadmium red light, ultramarine blue, yellow ochre, alizarin crimson, viridian)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·painting medium (e.g., Liquin)
  • ·varnish

Use a medium-tooth canvas for better texture. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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