apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Dr. Harvey Cushing
Dr. Harvey Cushing by Edmund Charles Tarbell

plate no. 5527

Dr. Harvey Cushing

Edmund Charles Tarbell, 1908

oil, canvasImpressionismportraitportraitfiguremanchairclothingbow tie
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and rendering subtle tonal variations in skin tones. It also provides practice in creating depth and atmosphere through controlled value contrasts.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light charcoal sketch to establish the proportions and composition.

  2. step 02

    Block in the main shapes and values using a thin wash of diluted paint.

  3. step 03

    Focus on establishing the dark background and gradually build up the mid-tones.

  4. step 04

    Start refining the facial features, paying close attention to the highlights and shadows.

  5. step 05

    Work on the clothing and chair, capturing the folds and textures.

  6. step 06

    Refine the hands, focusing on the subtle details and gestures.

  7. step 07

    Add final highlights and details to bring the portrait to life.

  8. step 08

    Glaze with thin layers to unify the colors and create depth.

color palette

primary · burnt umber · raw umber · titanium white · ivory black

secondary · yellow ochre · cadmium red light

Achieve skin tones by mixing burnt umber, raw umber, titanium white, and a touch of cadmium red light. Use ivory black to darken values and create shadows. Mix yellow ochre and white for highlights.

techniques

  • ·portraiture
  • ·chiaroscuro
  • ·glazing
  • ·blending
  • ·scumbling

common pitfalls

  • →Overworking the details too early.
  • →Failing to establish a strong value structure.
  • →Using too much paint in the initial layers.
  • →Ignoring the subtle color variations in the skin tones.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·#4 round brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·charcoal pencils

Use a medium-grain canvas for best results. Allow each layer to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann