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home·artworks·Double portrait of the artist and his wife seen through a mirror
Double portrait of the artist and his wife seen through a mirror by Vilhelm Hammershøi

plate no. 6030

Double portrait of the artist and his wife seen through a mirror

Vilhelm Hammershøi, 1911

oilImpressionismportraitportraitfigureinteriorwindowdoormirror
some experience helpful

This painting provides an opportunity to practice subtle color mixing and creating a sense of depth through tonal variations. Students can develop skills in rendering figures and architectural elements in a muted, atmospheric style.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the oval shape of the mirror and the placement of the figures.

  2. step 02

    Establish the main light and shadow areas with a thin wash of neutral color.

  3. step 03

    Begin blocking in the larger shapes of the figures and the architectural elements, focusing on accurate proportions.

  4. step 04

    Mix and apply the subtle color variations in the skin tones, clothing, and background.

  5. step 05

    Refine the details of the faces and hands, using small brushstrokes to create texture and form.

  6. step 06

    Add the highlights and shadows to the windows and door, creating a sense of depth and light.

  7. step 07

    Adjust the overall tonal values to create a harmonious and atmospheric effect.

  8. step 08

    Add final details and refine edges.

color palette

primary · ivory black · raw umber · titanium white

secondary · yellow ochre · payne's gray

Achieve the muted tones by mixing black and white with small amounts of raw umber and yellow ochre. Use payne's gray for cooler shadows.

techniques

  • ·tonal painting
  • ·scumbling
  • ·glazing
  • ·limited palette
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Using colors that are too bright or saturated.
  • →Failing to establish a clear value structure.
  • →Ignoring the subtle color variations in the shadows.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·payne's gray oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use a fine-grain canvas for smoother blending. Consider using a medium to improve the flow of the paint.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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