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Double portrait by Panayiotis Tetsis

plate no. 0094

Double portrait

Panayiotis Tetsis

oilImpressionismportraitfiguresportraitcouchinteriorclothing
some experience helpful

Recreating this painting will help students develop skills in capturing likeness with loose brushstrokes and mixing realistic skin tones. It also provides practice in simplifying complex forms into basic shapes and color blocks.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figures and the couch.

  2. step 02

    Block in the main color areas with thin washes, focusing on the overall value structure.

  3. step 03

    Start building up layers of paint, using thicker brushstrokes to define forms and add texture.

  4. step 04

    Mix skin tones by blending reds, yellows, blues, and white, and apply them with short, broken strokes.

  5. step 05

    Pay attention to the light and shadow on the figures' faces and clothing, and adjust the values accordingly.

  6. step 06

    Add details such as the facial features, the patterns on the couch, and the folds in the clothing.

  7. step 07

    Refine the edges and blend the colors to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and shadows to enhance the overall effect.

color palette

primary · ultramarine blue · cadmium red · yellow ochre · titanium white

secondary · viridian green · burnt umber

Mix greens by combining yellow ochre and viridian green. Achieve skin tones by mixing red, yellow, blue, and white in varying proportions. Use burnt umber to create shadows and darker tones.

techniques

  • ·blocking in
  • ·broken color
  • ·scumbling
  • ·alla prima
  • ·color mixing

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Getting bogged down in details too early in the process.
  • →Failing to accurately capture the proportions and likeness of the figures.
  • →Not paying enough attention to the light and shadow, resulting in a flat or unrealistic image.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints
  • ·#6 round brush
  • ·#8 flat brush
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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