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Double portrait by Giuseppe Tominz

plate no. 6708

Double portrait

Giuseppe Tominz, 1830

oil, canvasRomanticismportraitportraitfiguresdressframedraperycolumns
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate rendering of skin tones and facial features, as well as depicting fabric textures and folds with subtle variations in light and shadow.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a detailed sketch outlining the composition, focusing on accurate proportions and placement of figures and objects.

  2. step 02

    Block in the main shapes and colors, starting with the background and larger areas like the drapery and clothing.

  3. step 03

    Develop the skin tones by layering thin glazes of color, paying close attention to highlights and shadows.

  4. step 04

    Refine the details of the faces, including the eyes, nose, and mouth, using small brushes and precise strokes.

  5. step 05

    Add details to the clothing, such as the lace trim and folds in the fabric, using a variety of brushstrokes.

  6. step 06

    Paint the frame with careful attention to the details and highlights to create a sense of depth and dimension.

  7. step 07

    Glaze the painting to unify the colors and create a smooth, polished finish.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · titanium white · ivory black · cadmium red · yellow ochre

secondary · ultramarine blue · emerald green · burnt umber

Achieve skin tones by mixing white, yellow ochre, and small amounts of red and umber. Create the green drapery by mixing blue and yellow, adjusting the proportions for different shades.

techniques

  • ·glazing
  • ·portraiture
  • ·fabric rendering
  • ·chiaroscuro
  • ·blending

common pitfalls

  • →Inaccurate proportions in the initial sketch.
  • →Overmixing colors, resulting in muddy tones.
  • →Failing to capture the subtle variations in skin tones.
  • →Neglecting the details in the clothing and frame.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·burnt umber oil paint

Use high-quality oil paints for best results. Consider using a pre-primed canvas to save time.

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oil painting for beginners →how to learn by studying the masters →
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