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home·artworks·Double Portrait
Double Portrait by Giorgione

plate no. 4579

Double Portrait

Giorgione, 1502

oil, canvasHigh Renaissanceportraitfiguresportraitclothingapplewindowhat
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding subtle value shifts to create form.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figures, paying attention to their relative positions.

  2. step 02

    Establish the background colors, starting with the darkest areas and gradually adding lighter tones.

  3. step 03

    Block in the main areas of color for the figures' clothing and skin, focusing on the overall value structure.

  4. step 04

    Begin refining the facial features, paying close attention to the shapes of the eyes, nose, and mouth.

  5. step 05

    Develop the details of the clothing, including the folds and textures of the fabric.

  6. step 06

    Add the apple and the window frame, paying attention to their relative sizes and positions.

  7. step 07

    Refine the highlights and shadows to create a sense of depth and volume.

  8. step 08

    Make final adjustments to the colors and values to achieve a harmonious and balanced composition.

color palette

primary · ivory black · raw umber · yellow ochre · titanium white

secondary · cadmium red light · ultramarine blue

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Dark clothing is created with ivory black and raw umber, lightened with white for highlights.

techniques

  • ·portraiture
  • ·glazing
  • ·chiaroscuro
  • ·blending
  • ·layering

common pitfalls

  • →Incorrect proportions of the figures.
  • →Overly harsh or abrupt transitions between light and shadow.
  • →Failure to capture the subtle nuances of skin tone.
  • →Getting lost in details before establishing the overall value structure.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·ultramarine blue oil paint
  • ·assorted round and flat brushes

optional

  • ·linseed oil
  • ·palette knife
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a toned canvas to simplify the initial stages of painting.

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