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home·artworks·Dorf Im Gewitter
Dorf Im Gewitter by Theophile Steinlen

plate no. 0146

Dorf Im Gewitter

Theophile Steinlen, 1895

oilArt Nouveau (Modern)landscapelandscapecloudsbuildingstreesskyvillage
some experience helpful

This painting provides practice in atmospheric perspective and simplifying complex forms into basic shapes. Students can learn to create depth using value and color changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and placement of major elements.

  2. step 02

    Block in the sky with a base layer of blue, gradually adding darker and lighter tones.

  3. step 03

    Paint the clouds using white and gray, blending edges to create soft transitions.

  4. step 04

    Establish the dark mass of the foreground trees and foliage.

  5. step 05

    Add the buildings, paying attention to their simple shapes and value relationships.

  6. step 06

    Paint the green fields, using a range of greens and yellows to suggest depth.

  7. step 07

    Refine the details of the clouds and buildings, adding subtle highlights and shadows.

  8. step 08

    Add final details to the foreground road, using dry brush techniques to create texture.

color palette

primary · ultramarine blue · titanium white · burnt umber

secondary · yellow ochre · sap green · cadmium red

Mix various shades of gray by combining white, umber, and a touch of blue. Create muted greens by mixing yellow ochre and blue with a touch of umber to dull the color.

techniques

  • ·atmospheric perspective
  • ·wet-on-wet blending
  • ·dry brush texture
  • ·value studies
  • ·simplification of forms

common pitfalls

  • →Overworking the clouds, resulting in a flat or unnatural appearance.
  • →Failing to create sufficient contrast between the foreground and background.
  • →Getting lost in details too early in the painting process.
  • →Using colors that are too saturated, resulting in a garish or unrealistic look.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·sap green oil paint
  • ·round brushes (#2, #6)
  • ·flat brush (#8)

optional

  • ·palette knife
  • ·linseed oil
  • ·medium gloss

Use a limited palette to simplify the color mixing process. Consider using a toned canvas to establish a base value.

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