
plate no. 8220
Antonio Donghi, 1931
Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and creating smooth gradients. It also provides practice in capturing subtle details and achieving a realistic representation of form.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and proportions of the figure, chair, and background objects.
Block in the main areas of color: skin, hair, hat, dress, background, and objects on the shelf.
Refine the skin tones by layering and blending subtle variations in color.
Add details to the face, focusing on the eyes, nose, and mouth.
Develop the form of the dress and chair with shading and highlights.
Paint the background and objects on the shelf, paying attention to their relative values.
Add final details and highlights to the entire painting.
Allow to dry and add a varnish layer.
color palette
primary · titanium white · yellow ochre · burnt umber · viridian
secondary · cadmium red light · ivory black
Skin tones are achieved by mixing white, yellow ochre, and a touch of burnt umber and cadmium red light. The green of the dress is a mix of viridian and burnt umber. The background is a muted yellow ochre mixed with white and a touch of umber.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A medium-sized canvas (16x20 inches) is recommended for beginners.
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