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home·artworks·Doncaster Gold Cup
Doncaster Gold Cup by John Frederick Herring Sr.

plate no. 9845

Doncaster Gold Cup

John Frederick Herring Sr., 1835

oilRomanticismanimal paintinghorsesjockeysracegrassskytrees
some experience helpful

Recreating this painting will help students practice painting dynamic figures in motion and creating atmospheric perspective in the background. It also provides an opportunity to study color mixing for realistic animal depictions.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the horses and jockeys.

  2. step 02

    Block in the sky and ground with thin washes of color, establishing the overall value structure.

  3. step 03

    Start painting the horses, beginning with the darkest values and gradually adding highlights.

  4. step 04

    Pay close attention to the anatomy and musculature of the horses to convey a sense of movement.

  5. step 05

    Paint the jockeys, focusing on their clothing and posture.

  6. step 06

    Add details to the background, such as the trees and fence, using lighter values to create atmospheric perspective.

  7. step 07

    Refine the details of the horses and jockeys, adding highlights and shadows to create depth.

  8. step 08

    Add final touches, such as the reins and whips.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · ultramarine blue · yellow ochre · cadmium red

Mix burnt umber and raw sienna with white to create the various shades of brown for the horses. Use ultramarine blue and white for the sky, and yellow ochre and cadmium red for the jockeys' clothing.

techniques

  • ·layering
  • ·blending
  • ·dry brushing
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →Incorrect proportions of the horses.
  • →Flat, lifeless colors.
  • →Lack of depth and atmospheric perspective.
  • →Overworking the details.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·round brushes
  • ·flat brushes
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →how to learn by studying the masters →
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